At Gesù Church in Brussels, Maruani Mercier Gallery presented recent works in which Kaphar incorporated Renaissance-era religious iconography. Displayed on the flaky and at times graffitied walls of the deconsecrated church, a painted deposition scene shows Jesus’s body shrouded in black tar, and a portrait of a Black man is duct-taped onto a painting of […]
WEST HARLEM ART FUND 