Master Drawings New York celebrate Mexican Muralism with special in-person panel and exhibition — Art Daily December, 2021
NEW YORK, NY.- On Friday, January 28th at 10am, registered participants will enjoy a lively discussion on Mexican Muralism and the artists that impacted that period in both Mexico and the United States.
War dominated the late 19th and early 20th centuries in Europe. New political ideologies — socialism and communism, also added tensions. Art responded by turning its focus onto the common man and woman in natural and urban environments.
The Americas were impacted as well with cries for change. In Mexico, a ten-year revolution offered an opportunity for Mexico to acknowledge its pre-Hispanic past with a new blended population. Art became the medium to spark emotions and share with pride epic tales of how this blended world was to take shape.
The Mexican Muralism Movement embraced European traditions of drawing and frescoes with social realism and new aesthetics that swept into North America.
Joining the moderator, Savona Bailey-McClain, Executive Director of the West Harlem Art Fund are:
• Esther Adler, Associate Curator, Department of Drawings & Prints, MoMA
• Leon Tovar, Director, Leon Tovar Gallery, NYC
• Dr. Orlando Hernández-Ying, Rockefeller Brothers Fund Curatorial Research Fellow for the Hubert & Mireille Goldschmidt Works on Paper Fellowship, Hispanic Society Museum & Library
Participants will also view a special exhibition curated by the Hispanic Society Museum and Library. A selection of nearly two dozen drawings will be exhibited from the collections of the Hispanic Society Museum & Library.
These drawings were executed by artists as preparatory drawings for other works of art, such as frescos, tapestries, paintings, and architectural-sculptural ensembles.
This exhibit will complement the recently acquired gift of José Clemente Orozco drawings to the Hispanic Society by Michael and Salma Wornick. Also featured are earlier drawings by Rafael Ximeno y Planes and Juan Rodriguez Juárez from Mexico.
To give visitors a truer sense of the Hispanic Society Museum & Library’s expansive and diverse holdings, the exhibition will also feature drawings by notable artists from the Iberian Peninsula and Latin America from the 17th to the 20th century, including Jusepe de Ribera and Bartolomé Esteban Murillo, Alonso Cano, Francisco Goya y Lucientes, Joaquin Sorolla y Bastida, and Francisco (Pancho) Fierro.
400 Years of Master Drawings from Hispanic Society Museum & Library was organized by Marcus Burke, Senior Curator, Paintings & Drawings, Hispanic Society.
Editors’ Picks: 12 Events for Your Art Calendar This Week — Artnet October 2021
9. “Elements” at the West Harlem Art Fund
West Harlem Art Fund founder Savona Bailey-McClain has curated a stunning fall exhibition at the organization’s seasonal headquarters on Governors Island featuring four international women artists. The showstopper is Sagarika Sundaram’s massive hand-felted wool sculpture installed above the home’s fireplace, which she originally created as a performance costume. Drawings by Yalan Wen, delicate lamps covered in agar flowers by Yi Hsuan Sung, and Valerie Hallier’s canvases covered in colorful flower petals round out the show.
Location: West Harlem Art Fund, Nolan Park, Building 10B, Governors Island, New York
Time: Saturday and Sunday, 11 a.m.–4 p.m.
Artist 3D-prints biodegradable agar floral lamps –INHABITAT OCTOBER 2021
Beauty is in the eye of the beholder, although most people would agree there is beauty in nature. Artist and textile designer Yi Hsuan Sung has taken that common view of natural beauty and used it to create a varied line of products for the home.
In addition to reflecting nature in her designs, her mission is to honor it through the use of sustainable and natural materials. Sung believes that the desire to bring elements of nature inside the home often comes with a host of unwanted and unnecessary petrochemicals.
To create a cleaner home environment, she began experimenting with agar, which is an extract from red algae. She then combined it with glycerin and water to make a material that is natural, biodegradable and renewable. Once she was able to solidify the process, she began, and continues, experimenting with different products made from the same medium. Her wall art and faux flowers have a variety of finishes, including shimmery, metallic and foamy. The bioplastic also takes a variety of shapes, from wavy to curvy, and can be formed into sheets, filaments or cast units.
In the example of her floral pendant lamps made with agar, she makes the shade base by knitting agar yarn and decorating them with agar flowers cast from 3D-printed molds she designed. Her Agar Garden designs are an artistic endeavor into working with bio materials, while developing useful and pleasing interior design products. She’s also developed lamps and other products from silk and wool fabric samples, sequin scraps and lurex selvage yarns and mats made from a combination of agar, onion skins, spoiled milk and recycled saris.
With an emphasis on protecting the environment in her material choices, Sung pays special attention to coloring through the use of fiber waste (wool), food waste and mica powder.
“As a textile maker who consciously integrates science and technology into art and design and a material creative who dedicates to healthy and sustainable solutions, I earnestly explore the relationship between digital, bio and recycling fabrication,” Sung said. “Through my work, I want to transform textile making into a system that is harm-free, slow and mindful.”
THE ASAHI SHIMBUN DIGITAL — October 12, 2021
This year is a 23・year-old organization that presents works of public art and new media.In addition to exhibiting works not only indoors but also outdoors, they revitalize the region through art and culture such as workshops. A collage of natural petals as they are.It is an attractive work that somehow soothes in the wonder and beauty.Deflores by Valerie Hallier, picture taken by Valerie Hallier
MSR of Sagarika Sundaram, an artist who creates works using textiles.This work is from a sculptural and craft perspective, and I like the volume of the work very much.
A collage of natural petals as they are.It is an attractive work that feels a sense of harmony in the wonder and beauty.Deflores by Valerie Hallier, picture taken by Valerie Hallier
“MSR” by Sagarika Sundaram, an artist who creates works using textiles.This work is from a sculptural and craft perspective, and I like the volume of the work very much.
West Harlem Art Fund kicks off the fall season with an all-female exhibition & public mural where NATURE MATTERS
New York, NY… Elements presented by the West Harlem Art Fund is a multi-disciplinary exhibition, that features an international roster of women artists in their exhibition space (NP/10) on Governors Island, beginning September 10th.
Also featured is Floral Love Project, a participatory mural led by veteran artist Kraig Blue from September 10th through 12th, and the outdoor sculptural installation Garden Sentinel by NYC-based artist Michele Brody.
Drawing inspiration from a Native American proverb ”Peace comes within the souls of men when they realize their oneness with the Universe when they realize it is really everywhere… it is within each one of us,” artists were carefully selected to convey how nature continues to work in harmony with human life.
Whether creating textile, using live petals, handcrafted design, or new media — Sagarika Sundaram, Yi Hsuan Sung, Yalan Wen, and Valerie Hallier offer the public new approaches for appreciating everyday life and nature.
Kraig Blue will lead Floral Love Project, a celebration of the native flowers that thrive on Governor’s Island. This eco-friendly collaborative project with the West Harlem Art Fund will take place during Fall Arts Week on the island. The public will engage in drawing, painting, and mural making.
Kraig Blue is one of over 500 New York City-based artists to receive $5,000.00 through the City Artist Corps Grants program, presented by The New York Foundation of the Arts (NYFA) and the New York Department of Cultural Affairs (DCLA).
Garden Sentinels by Michele Brody is made up of 12 – 8’ tall by 55” diameter towers composed of aluminum carpet strips held together by various elements of re-purposed hardware. Within each Garden Sentinel hangs an oversized test tube filled with growing plants within them. The role of each Garden Sentinel is to stand guard over their charges, keeping the plants alive and vibrant for all to enjoy and learn more about the native gardens on Governors Island.
Elements runs from September 10th — October 31, 2021 on Governors Island in Nolan Park, Building 10B on weekends from 12pm — 4 pm.
New York Responds: The First Six Months looks at the still-unfolding events of 2020 through the eyes of over 100 New Yorkers. The selections were sourced from among more than 20,000 nominations submitted to the Museum’s open call from individual artists and from partner institutions. A jury of over a dozen New Yorkers representing many walks of life ultimately decided what to include in the exhibition.
This exhibition presents objects, photographs, videos, and other artworks that document and interpret the COVID pandemic, the racial justice uprisings, and the responses of New Yorkers as they fought to cope, survive, and forge a better future. Together, these powerful artifacts and artworks speak to the dramatic effects of these unprecedented months on the city, its residents, and the dynamics of urban life itself.
Content providers include: West Harlem Art Fund, Savona Bailey-McClain and Nadia DeLane
Where-Museum of the City of New York, 103rd Street, Fifth Avenue
When-December 18, 2020-April 11, 2021
Hours-Thursday through Monday 10 am-6 pm
About this Event
Welcome to our thirteenth Happy Virtual Hour with CADAF! Join leading art professionals, artists, and collectors as they discuss all things art + tech. BYOB!
The Rise of Contemporary African American Art: A Reflection on the Current Market and Its Potential with Savona Bailey-McClain, Jason Bailey, and Surprise Guests
Savona Bailey-McClain, Executive Director/Chief Curator, West Harlem Art Fund
Jason Bailey, Founder, Artnome
Savona Bailey-McClain is Executive Director/Chief Curator of the West Harlem Art Fund, which has organized high-profile public arts exhibits throughout New York City for the past 20 years, including Times Square, DUMBO, Soho, Governors Island and Harlem. Her public art installations encompass sculpture, drawings, performance, sound, and mixed media, and have been covered extensively by the New York Times, Art Daily, Artnet, Los Angeles Times and Huffington Post, among many others. She is host/ producer of “State of the Arts NYC,” a weekly radio program on iTunes, Radio Public, Youtube, Mixcloud and other audio platforms. She is also a member of ArtTable and the Governors Island Advisory Council.
Jason Bailey is an art nerd covering art and technology at the blog artnome.com and on the DankRares podcast. Jason has a BA in studio art and art history from Framingham State University (2001) and an MFA in digital art from Massachusetts College of Art and Design (2010). Jason is an advisor to blockchain art platforms Dada.nyc and Portion.io. A serial entrepreneur, he has worked at startups in the Boston area on the cutting edge of technology for the last 20 years. Jason is mission driven to use technology and data to improve the world’s art historical record and to improve opportunities for artists from historically underserved or marginalized groups.
Executive Director Savona Bailey McClain will appear this Sunday, July 5th on the Antonia Badon radio show Harlem Time Travel, heard on WHCR. She will talk on Confederate monuments, their history in this country and Black suffragettes.
Zoom in Virtually on Friday June 26, at 10:30 am for the Live Unveiling of Earth Matter’s Agri-Cultural Heritage Project!
Join Earth Matter for our LIVE event broadcast from Governors Island, as we virtually unveil Earth Matter’s Agri-Cultural Heritage Beds. This project centers around a series of ten growing beds located at Earth Matter’s Soil Start Farm. These beds have been curated and cultivated by community collaborators, to showcase food and farming traditions from diverse native and immigrant communities that have played an important role in lower Manhattan and New York’s history, development, and character.
We will hear remarks from Hon. City Councilwoman Margaret Chin, and Clare Newman, President and CEO of The Trust for Governors Island.
These growing beds, full of organic soil enriched with compost made by and for New Yorkers at Earth Matter’s Compost Learning Center, will soon be overflowing with vegetables and herbs, representative Native American, German, Black-African, Russian-Jewish, Chinese, Japanese, Hispanic-Caribbean, Peruvian, and Italian cultures.
Governors Island is currently closed to visitors. When it reopens, everyone is welcome and encouraged to take a self-guided tour of this living exhibit via the on-site interpretive signage and linked “native tongue” audio files created by project collaborators. And stay tuned for upcoming related health and healing workshops, and culinary tasting events
Friday June 26, 2020 • 10:30 – 11:30am EST
Thank you to collaborating organizations: Hamilton Madison House, American Indian Community House, Farm School NYC, New York Cares, the West Harlem Art Fund, and the Trust for Governors Island.
Special thanks to Council Member Margaret Chin for her generous support and encouragement.
Read the curated text by the West Harlem Art Fund for the Black-African Heritage Bed in English and Yoruba. Special spotlight on Kimberly Brown who grew all the vegetables.
The West Harlem Art Fund has launched COVID Diaries POC —a poignant audio series documenting the impact of the corona virus through interview and memoir. COVID Diaries POC collaboratively captures the reactions of People of Color living at the effect of this global pandemic.
Teen students from Exalt Youth will generate discussion questions that family members, neighbors and other participants will respond to using a recording feature on their phones.
Those interviews will be archived and woven into an outdoor botanical installation and soundscape performance piece designed by artists Nadia DeLane and Austin Arrington.
According to Savona Bailey McClain, Executive Director and Chief Curator for the West Harlem Art Fund, “It is vital that Black and Brown people share their thoughts and experiences firsthand. Too often others interpret the feelings of our communities for us without ever talking to us. COVID Diaries POC offers an opportunity for our communities to heal and process in real-time.”
Posterity will include the voices of African, Latino and Caribbean Americans as historical actors and not as victims.
Exalt demonstrates the power of effective educational engagement as a viable alternative to criminal justice involvement for today’s young people.
MEET OUR NEW INTERN
Hi, my name is Julius Michel and I’m currently 16 years old. I was born and raised in Brooklyn, NY, but my family is from Trinidad and Haiti. I’m in the 11th grade and I attend school at New Explorations into Science, Technology, and Math in the Lower East Side of Manhattan. My interests and aspirations are in STEM (Science, Technology, Engineering, and Math) and in sports as I wish to be a mechanical engineer or a sports analyst in the near future.
Thought-provoking content and special guests, spotlight historical moments, live panels, talks and more using audio, images and videoconferencing.
Topics like repatriation, Carolina rice culture, architecture post-Covid19, contemporary glass and botanical curations are apart of our new series ON[View].
Our current installment on Kerry James Marshall is available. https://westharlem.art/onview-kerry-james-marshall-mastry/
RICE IS CULTURE
Rice around the world is thought of as Asian. But rice is just as African as it is Asian. Oryza glaberrima was cultivated from wild rice that needed humans when the Sahara was drying. That knowledge fueled the Trans Atlantic Slave Trade where Africans were brought west.
Rice dominated the United States and particularly South Carolina for two hundred years by these African slaves. When Black culture migrated north, Harlem became its capital. A mecca where traditions could be preserved and human rights championed.
Spend an evening learning about rice with curator and historian Savona Bailey-McClain, JJ Johnson, chef of rice restaurant FieldTrip, and rice farmer Nfamara Badjie. Learn how the culture of rice has impacted Black culture as we trace its roots from Africa and the Caribbean to the American South. After the discussion guests will enjoy a scrumptious rice dish prepared by celebrity chef JJ Johnson.
Event date postponed