African American artist
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Artist Spotlight
“I have no color on the brain; all I have on the brain is paint.” — Robert S. Duncanson Landscape Artist Sharon Sorrels Sharon Sorrels built careers in the arts and education in Washington, DC before relocating to the Myrtle Beach area. She earned a BFA in Design with minors in Art History and Education from…
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Philly’s Picture-Taking Man John W. Mosley
John W. Mosley was a self-taught photojournalist who extensively documented the everyday activities of the African-American community in Philadelphia, Pennsylvania, for more than 30 years, a period including both World War II and the civil rights movement. His work was published widely in newspapers and magazines including The Philadelphia Tribune, Pittsburgh Courier, and Jet magazine.…
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Stanley Whitney’s NYC Show
Lisson Gallery is pleased to present TwentyTwenty, an exhibition of new paintings by Stanley Whitney created over the past year. Color continues to galvanize Whitney’s compositions, each block of pigment dictated by its relationship to the one before it. The artist’s ninth solo exhibition with the gallery advances his exploration of color, and features a…
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Mildred Thompson
Mildred Thompson was born in 1936 in Jacksonville, Florida. She earned her Bachelor of Art degree from Howard University in Washington, D.C. in 1957 under the tutelage and mentorship of pioneering African American art historian James Porter. Thompson also attended the Skowhegan School of Painting and Sculpture in Maine (1956), earned a Max Beckmann Scholarship…
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ARTIST SPOTLIGHT MARTHA JACKSON JARVIS
Martha Jackson Jarvis was born in Lynchburg, Virginia in 1952. She spent her early childhood in the south and moved to Philadelphia when she was thirteen. Jackson Jarvis studied her freshman year at Howard University where she benefited from the influence of artists such as Elizabeth Catlett and Lois Mailou Jones but later transferred to Tyler…
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HE PROVED THEM WRONG — EDWARD MITCHELL BANNISTER
Edward Mitchell Bannister’s determination to become a successful artist was largely fueled by an inflammatory article he read in the New York Herald in 1867, that stated “the Negro seems to have an appreciation for art while being manifestly unable to produce it.” Ironically, less than a decade later, in 1876, Bannister was the first African-American artist…
19th century artist, African American artist, Centennial Exposition, Charles-François Daubigny, Edward Mitchell Bannister, Jean-Baptiste Corot, Jean-François Millet, Philadelphia Centennial Exposition, Providence Art Club, Rhode Island, Rhode Island School of Design, Under the Oaks, West Harlem Art Fund
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NEWS WORKS BY DERRICK ADAMS
Luxembourg & Dayan based in the Upper East Side is pleased to announce Interior Life, an exhibition of new works by artist Derrick Adams, curated by Francesco Bonami. Inspired by a tenet of Catholic theology that describes “a life which seeks God in every- thing,” Interior Life is a mediation on the intimate spaces…
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CHARLES WHITE AT MoMA
“ART MUST BE AN INTEGRAL PART OF THE STRUGGLE” “It can’t simply mirror what’s taking place. … It must ally itself with the forces of liberation.” Over the course of his four-decade career, White’s commitment to creating powerful images of African Americans—what his gallerist and, later, White himself described as “images of dignity”—was unwavering. Using…
West Harlem Art Fund 