A pioneering figure in Latin American Conceptualism, Teresa Burga (b.1935, Iquitos, Peru – d.2021, Lima, Peru) made works that encompassed drawing, painting, sculpture, and conceptual structures that supported the display of analytical data and experimental methodologies. Born in Iquitos, Peru in 1935, Burga studied at the School of Art Catholic University of Peru in Lima and contributed significantly to the Peruvian avant-garde art scene. In 1966, along with other forward-thinking artists in Lima, Burga formed part of the Arte Nuevo group, a collective of artists interested in advancing genres of Pop, Minimalism, Op Art, and happenings in Peru.

According to the Mexican curator Tatiana Cuevas, Burga’s most iconic work is the project Perfil de la mujer peruana (Profile of the Peruvian Woman), created with psychologist Marie-France Cathelat during 1980–1981. This multidisciplinary investigation sought to analyze the status of women in Peru taking into account their affective, psychological, sexual, social, educational, cultural, linguistic, religious, professional, economic, political, and legal characteristics and circumstances, and is an example of the second-wave feminism in Latin America. The project was originally presented in 1981 during the I Coloquio de Arte No-Objetual y Arte Urbano (1st Symposium of Non-Objectual and Urban Art) at the Museo de Arte Moderno in Medellín, Colombia; months later it was shown in an exhibition at the Banco Continental in Lima, Peru; by the end of that same year, the full investigation came together as a published book.

Burga died February 11, 2021 in Peru


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