West Harlem Art Fund
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BASQUIAT’S “DEFACEMENT”: THE UNTOLD STORY
This exhibition takes as its starting point the painting The Death of Michael Stewart, informally known as Defacement, created by Jean-Michel Basquiat (1960–1988) in 1983. The work commemorates the fate of the young, black artist Michael Stewart at the hands of New York City Transit Police after allegedly tagging a wall in an East Village subway…
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CHURCH BY SHANTELL MARTIN
The Trust for Governors Island presents Church, and immersive, contemplative work by Shantel Martin, who enlivens the facade of Our Lady Star of the Sea, a former military chapel, deconsecrated for over 20 years and located in the Island’s Historic District. The season-long exhibition is on view daily through October 31st. Bringing new life to…
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IN MEMORIAM — JOE OVERSTREET
My paintings don’t let the onlooker glance over them, but rather take them deeply into them and let them out—many times by different routes,” the artist Joe Overstreet once said, describing viewing experiences that can be variously harrowing and exhilarating. “These trips are taken sometimes subtly and sometimes suddenly.”…
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DERRICK ADAMS AT MARY BOONE
Mary Boone Gallery on Fifth Avenue presents New Icons, an exhibition of new paintings by DERRICK ADAMS before the gallery closes. New Icons is a series of large-scale, vivid and minimal oil paintings created through a combined process of CNC machined painting and the artist’s hand. Multiple thin layers of oil paint create each image…
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GOVERNORS ISLAND
The West Harlem Art Fund (WHAF) is returning to Governors Island in 2019 with two exhibitions that will spotlight human migration across Asia and then west from Africa to the Americas beginning June 1st. The organization is working with the Eli Klein Gallery based in the West Village, the Aicon Contemporary Art Gallery based in…
Aicon Contemporary Art Gallery, Behr 2019 Color of Year, Building 10, Catinca Tabacaru Gallery, Crossing the Sand, Eli Klein Gallery, Governors Island, Kiamesha Smalls, Kiran Rajagopolan, Nolan Park, Savona Bailey-McClain, Serengeti Teas & Spices, Tomo Mori, Trace of Our Journey, Traces, West Harlem Art Fund -
NEWS WORKS BY DERRICK ADAMS
Luxembourg & Dayan based in the Upper East Side is pleased to announce Interior Life, an exhibition of new works by artist Derrick Adams, curated by Francesco Bonami. Inspired by a tenet of Catholic theology that describes “a life which seeks God in every- thing,” Interior Life is a mediation on the intimate spaces…
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PALMER C. HAYDEN
Palmer Hayden, Harlem Renaissance artist and beyond Palmer Hayden’s birth was on November 9th 1890. He was an African American painter whose work became known during the Harlem Renaissance. Born Peyton Cole Hedgeman in Wide Water, Virginia, he was a prolific artist of his era. He depicted African American life, painting in both oils and…
100 Years, African American, art, art tool, artist, Cloyde Boykin, Dianne Smith, domestic, ethnic, Harlem art, Harlem Arts, Harlem Renaissance, Harlem Renaissance artist, janitor, John Henry, occupation, palette, Palmer Hayden, service, The Janitor Who Paints, West Harlem, West Harlem Art, West Harlem Art Fund, WPA
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CONGO TALES
Filled with vibrant images that highlight the area’s magnificent flora and fauna, this photographic project, which was three years in the planning and execution, offers an exciting opportunity to learn about nature and the environment and it delivers an optimistic message about trust, cooperation, and conservation for the next generation of policy makers. “Congo Tales,”…
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CHARLES WHITE AT MoMA
“ART MUST BE AN INTEGRAL PART OF THE STRUGGLE” “It can’t simply mirror what’s taking place. … It must ally itself with the forces of liberation.” Over the course of his four-decade career, White’s commitment to creating powerful images of African Americans—what his gallerist and, later, White himself described as “images of dignity”—was unwavering. Using…
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ED CLARK — A SURVEY
GALLERY REVIEW BY JOHN YAU I don’t think that I can begin to enumerate all the different ways that Ed Clark is important to the history of postwar American painting. Perhaps I should start by identifying some of the ways he has been left out. As Corinne Robins observed in a 1997 review, the seemingly inclusive chronicler…
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FOR OPACITY
Elijah Burgher, Toyin Ojih Odutola, and Nathaniel Mary Quinn will be the first museum exhibition for Burgher and Quinn and it follows on the heels of Ojih Odutola’s successful 2017 New York debut at the Whitney Museum of American Art. In the case of each artist, older drawings will be placed alongside work created…
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SOLO EXHIBITION BY SIMONE LEIGH AT LUHRING AUGUSTINE IN CHELSEA
Luhring Augustine is pleased to present recent sculptures and a new video work by Simone Leigh, marking her first solo exhibition with the gallery. Leigh’s practice is an object-based exploration of vernacular visual traditions from throughout the black diaspora and their intersection with constructions of black female subjectivity, black feminist discourse, histories of radical resistance,…
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ARTIST SPOTLIGHT — FABIOLA JEAN-LOUIS
The West Harlem Art Fund is pleased to spotlight NYC artist Fabiola Jean-Louis and her Rewriting History Series. These photographs, where the subjects are women of color dressed in European period fashion, are beautifully staged. Embedded in each works are important messages that share a broader narrative. This artist series embodies more than just photographs…
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NOMINATING HARLEM’S LITTLE BLACKBIRD
American singer and dancer, a leading performer during the Jazz Age and the Harlem Renaissance of the 1920s Florence Mills, known as the “Queen of Happiness” was one of the most successful entertainers of the 1920s. Many spoke about her enchanting qualities, but it was her singing that was most spellbinding. James Weldon Johnson’s assessment…
Alhambra Theatre, cabaret, Eubie Blake, Florence Mills, Florence Winfrey, Harlem, Harlem Jazz Queen, Harlem Renaissance, I’m a little blackbird looking for a bluebird, Jazz Age, Langston Hughes, Lew Leslie, Mills Sisters, Mt. Zion AME church, Noble Sissle, Plantation Club, Plantation Company, Plantation Revue, Queen of Happiness, Savona Bailey-McClain curator + artistic director, She Built NYC, show business, Shuffle Along, vaudeville, West Harlem Art Fund, Ziegfield Follies
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DAYS END
New York based artist David Hammons (b. 1943) had his proposed public art project approved by the NYS Legislature this week.Day’s End would be located in Hudson River Park along the southern edge of Gansevoort Peninsula, directly across from the Museum. The project derives its inspiration and…
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THE MISSING, LOS DESAPARECIDOS
Displaying for the first time are new works by Jorge Luis Rodriguez. The Missing, Los Desaparecidos is a wall sculpture made out of papier mache with one hundred painted figures. The series presented by the West Harlem Art Fund on Governors Island for the exhibition Early Encounters, references Nature, history and the…
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TRIBAL ART COLLECTOR CLAMRA CELESTIN
The inspiration and influence that African art had on artists such as Picasso, Matisse, and Modigliani shows its importance in the art world. — Clamra Celestin Tribal art collector Clamra Celestin shares, a high degree of sensitivity and education is needed to get people interested in collecting African tribal art. Africans have the sensitivity to…
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YANNIS DAVY GUIBINGA — AN ARTIST TO WATCH
Born in 1995, Yannis Davy Guibinga is a self-taught photographer from Libreville, Gabon who currently lives and works in Montreal, Canada. Focusing mostly on portraits, Yannis’ work is mostly centered around studying Blackness at large and its intersections with other social factors such as cultures and gender for instance. Yannis’ work focuses almost…
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STUART DAVIS
Stuart Davis (1892–1964) is one of the preeminent figures of American modernism. With a long career that stretched from the early twentieth century well into the postwar era, he brought a distinctively American accent to international modernism. Faced with the choice between realism and pure abstraction early in his career, Davis invented a vocabulary that…
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1-54 Contemporary African Art Fair
Founded by Touria El Glaoui in 2013, 1-54 is the leading international art fair dedicated to contemporary art from Africa and its diaspora with annual editions in London, New York and Marrakech. Drawing reference to the fifty-four countries that constitute the African continent, 1-54 is a sustainable and dynamic platform that is engaged in contemporary…
1-54 Contemporary African Art Fair, 50 Golborne, AFRONOVA GALLERY, Aicon Gallery, Aruna D’Souza, Burning in Water, Catinca Tabacaru, contemporary art from Africa, contemporary art from the African diaspora, Derrick Adams, Elaine Mokhtefi, Elmarsa, Emmanuel Iduma, Galerie Cecile Fakhoury, Gallery 1957, Hatim Belyamani, HUBERTY & BREYNE GALLERY, Jack Bell Gallery, James Cohan, Jay Pather, Joiri Minaya, Katharina Maria Raab, Lawrence Lemaoana, Leilah Babirye, MAGNIN-A, NIC Kay, Nkiru Nzegwu, Nontsikelelo Mutiti, Officine dell” Immagine, Phoebe Boswell, Remi Onabanjo, Retro Africa, Sapar Contemporary, Serubiri Moses, Sophia Azeb, Sulger-Buel Lovell, Tafeta, Touria El Glaoui, Tyburn Gallery, Vigo Gallery, West Harlem Art Fund, Yossi Milo Gallery, Zina Saro-Wiwa
West Harlem Art Fund 